Green Suit Bather 2006 Color aquatint etching Somerset velvet white paper Image size 21" x 21" Paper size 32" x 31¼" Edition of 50 Purchase/Inquire Artist Isca Greenfield-Sanders collects and reworks photographs as part of her process. She uses images found in discarded family photo collections, selecting the part of each image that contains the most intriguing formal properties. Using modern technologies, she transfers the photographic image onto rice paper so it can serve as the foundation for a painting. At Paulson Press, she worked with a photographic key plate to achieve the same purpose with her prints. Ultimately, Greenfield-Sanders obliterates the actual photo image with paints and inks to uncover the found images’ essential meaning and beauty. [read more="Click here to Read More" less="Read Less"] “The Swimming Pool Etchings” combine centuries old techniques of painting and intaglio printing [...]

Blue Suit Bather 2006 Color aquatint etching Somerset velvet white paper Image size 21" x 21" Paper size 32" x 31¼" Edition of 50 Purchase/Inquire Artist Isca Greenfield-Sanders collects and reworks photographs as part of her process. She uses images found in discarded family photo collections, selecting the part of each image that contains the most intriguing formal properties. Using modern technologies, she transfers the photographic image onto rice paper so it can serve as the foundation for a painting. At Paulson Press, she worked with a photographic key plate to achieve the same purpose with her prints. Ultimately, Greenfield-Sanders obliterates the actual photo image with paints and inks to uncover the found images’ essential meaning and beauty. [read more="Click here to Read More" less="Read Less"] “The Swimming Pool Etchings” combine centuries old techniques of painting and intaglio printing [...]

Bright Beach 2009 Direct to plate photogravure and aquatint Somerset textured white paper Image size 27" x 27" Paper size 37½" x 36" Edition of 50 Purchase/Inquire Isca Greenfield-Sanders makes images of refracted light and subjects just out of reach. She is not afraid of combining beauty with a sense of the ominous that may be just outside the viewer’s frame. Indeed, she celebrates the ambiguous. These long beach scenes and parachutists conjure up dreams of nearly forgotten family holidays and war heroes. Her images come from discarded family photographs and slides that she purchases secondhand. This 2008 group of prints also shares a sensibility with Japanese water colors. They were made with a new process developed by Paulson Press and Magnolia Editions called directto-plate photogravure. Q: Let’s talk about the new images. Where are they coming from? [read [...]

Man In The Waves 2009 Direct to plate photogravure and aquatint Somerset velvet white paper Image size 20½" x 20½" Paper size 31½" x 30½" Edition of 50 Purchase/Inquire Isca Greenfield-Sanders makes images of refracted light and subjects just out of reach. She is not afraid of combining beauty with a sense of the ominous that may be just outside the viewer’s frame. Indeed, she celebrates the ambiguous. These long beach scenes and parachutists conjure up dreams of nearly forgotten family holidays and war heroes. Her images come from discarded family photographs and slides that she purchases secondhand. This 2008 group of prints also shares a sensibility with Japanese water colors. They were made with a new process developed by Paulson Press and Magnolia Editions called directto-plate photogravure. Q: Let’s talk about the new images. Where are they coming [...]

Silver Beach 2009 Direct to plate photogravure and aquatint Somerset textured white paper Image size 17½" x 14" Paper size 27" x 22" Edition of 50 Purchase/Inquire Isca Greenfield-Sanders makes images of refracted light and subjects just out of reach. She is not afraid of combining beauty with a sense of the ominous that may be just outside the viewer’s frame. Indeed, she celebrates the ambiguous. These long beach scenes and parachutists conjure up dreams of nearly forgotten family holidays and war heroes. Her images come from discarded family photographs and slides that she purchases secondhand. This 2008 group of prints also shares a sensibility with Japanese water colors. They were made with a new process developed by Paulson Press and Magnolia Editions called directto-plate photogravure. Q: Let’s talk about the new images. Where are they coming from? [read [...]

Golden Parachute 2009 Direct to plate photogravure and aquatint Somerset textured white paper Image size 14" x 14" Paper size 23¾" x 22¼" Edition of 50 Purchase/Inquire Isca Greenfield-Sanders makes images of refracted light and subjects just out of reach. She is not afraid of combining beauty with a sense of the ominous that may be just outside the viewer’s frame. Indeed, she celebrates the ambiguous. These long beach scenes and parachutists conjure up dreams of nearly forgotten family holidays and war heroes. Her images come from discarded family photographs and slides that she purchases secondhand. This 2008 group of prints also shares a sensibility with Japanese water colors. They were made with a new process developed by Paulson Press and Magnolia Editions called directto-plate photogravure. Q: Let’s talk about the new images. Where are they coming from? [read [...]

Parachute Class 2009 Direct to plate photogravure and aquatint Somerset velvet white paper Image size 20½" x 20½" Paper size 31½" x 30½" Edition of 50 Purchase/Inquire Isca Greenfield-Sanders makes images of refracted light and subjects just out of reach. She is not afraid of combining beauty with a sense of the ominous that may be just outside the viewer’s frame. Indeed, she celebrates the ambiguous. These long beach scenes and parachutists conjure up dreams of nearly forgotten family holidays and war heroes. Her images come from discarded family photographs and slides that she purchases secondhand. This 2008 group of prints also shares a sensibility with Japanese water colors. They were made with a new process developed by Paulson Press and Magnolia Editions called directto-plate photogravure. Q: Let’s talk about the new images. Where are they coming from? [read [...]

Tommy and Stinky 2009 Direct to plate photogravure and aquatint Somerset textured white paper Image size 14" x 14" Paper size 23½" x 22" Edition of 50 Purchase/Inquire Isca Greenfield-Sanders makes images of refracted light and subjects just out of reach. She is not afraid of combining beauty with a sense of the ominous that may be just outside the viewer’s frame. Indeed, she celebrates the ambiguous. These long beach scenes and parachutists conjure up dreams of nearly forgotten family holidays and war heroes. Her images come from discarded family photographs and slides that she purchases secondhand. This 2008 group of prints also shares a sensibility with Japanese water colors. They were made with a new process developed by Paulson Press and Magnolia Editions called directto-plate photogravure. Q: Let’s talk about the new images. Where are they coming from? [...]